Political Art of the Sixties was About Delineation, Political Art Today is About Differentiation (Iaspis) | 2008
Iaspis Fall Open House, Residency at International Artists Studio Program in Sweden (Iaspis), Stockholm, Sweden
“Political Art in the Sixties,” like the work of for instance Hans Haake and the institutional critique, was about using art to describe and make visible the silent relations of the political conditions that surrounded art and were part of the larger world, to which it was connected. "Political Art Today," on the other hand, must address the homogenizing effect on culture of Neo-liberal Global Capitalism, which through the Creative Industries, Art Market, Branding and Advertising have created a crisis in the production of difference and variation. Art must resist this homogenizing condition.
Iaspis Fall Open House, Residency at International Artists Studio Program in Sweden (Iaspis), Stockholm, Sweden
“Political Art in the Sixties,” like the work of for instance Hans Haake and the institutional critique, was about using art to describe and make visible the silent relations of the political conditions that surrounded art and were part of the larger world, to which it was connected. "Political Art Today," on the other hand, must address the homogenizing effect on culture of Neo-liberal Global Capitalism, which through the Creative Industries, Art Market, Branding and Advertising have created a crisis in the production of difference and variation. Art must resist this homogenizing condition.
