Bio / CV

Warren Neidich is an artist and writer who works in multiple media depending on the conditions of the artistic task at hand. His has recently been exploring the conditions of value and labor in the age of cognitive capital. He has been exhibited internationally at such institutions as PS1-MOMA, The Whitney Museum of American Art, LACMA, Los Angeles, ICA-London, The Ludwig Museum, Koln, and recently MUKHA, Antwerp. In 2011 he had one-person exhibitions at the Belgrade Cultural Center, Serbia, Fons Welters Gallery, Amsterdam and Galerie Moriarty, Madrid. He is recipient of numerous awards but most recently recieved the Vilem Flusser Theory Award, Berlin, 2010 and the Fulbright Scholar Program Fellowship, 2011. From 2009 to 2011 four books of his work and writing have been published including Lost Between the Extensivity/Intensivity Exchange, Onomatopee, Eindhoven, Cognitive Architecture: From Biopolitics to Noo politics, 010 Publications, Rotterdam, Me, Myself and I, Conversations With Oneself, Input, New York City and the Sarah Palin Memorial Library, Glenn Horowitz, New York City. He is formerly artist in residence and tutor at Goldsmiths College and recently artist in residence at TU Delft School of Architecture.

Selected Solo Exhibitions

  • 2011 Horizon Swell, Fons Welters Gallery, Amsterdam, The Netherlands
  • 2011 American History Reinvented Galeria Moriarty, Madrid, Spain
  • 2011 Acceptable Differences, Pluripotentiality and Painting, Belgrade Cultural Center,
    Belgrade, Serbia
  • 2010 Book Exchange, Glenn Horowitz, East Hampton, New York, USA
  • 2008 Each Rainbow Must Retain the Chromatic Signature, it…, Magnus Müller Gallery, Berlin, Germany
  • 2006 Earthling 2, Andrew Mummery Gallery, London, United Kingdom
  • 2002 Warren Neidich: The Mutated Observer, Part 2, California Museum of Photography, Riverside, California, USA
  • 2002 Warren Neidich: Photographs and Videos, Storefront for Art and Architecture, New York, New York City, New York, USA
  • 2002 Remapping, Edward Mitterrand Gallery, Geneva, Switzerland
  • 2001 Warren Neidich: The Mutated Observer, Part 1, California Museum of Photography, Riverside, California, USA
  • 2001 Beyond the Vanishing Point: Los Angeles, Gandy Gallery, Prague, Czech Republic
  • 2001 The Camp O.J. Installation, Laguna Art Museum, Laguna Beach, California, USA
  • 2000 Beyond the Vanishing Point: Media and Myth in America, Bayly Art Museum, University of Virginia, Charlottesville, Virginia, USA
  • 1996 Pollock: Holding a Crow With Alchemy, Steffany Martz Gallery, New York City, New York, USA
  • 1994 Cultural Residue, Villa Arson, Nice, France
  • 1991 Historical Interventions, List Visual Arts Center, M.I.T., Cambridge, Massachusetts, USA
  • 1991 Battle Of Chicamuaga – Aerial Reconnaissance, Photographic Resource Center, Boston University, Boston, Massachusetts, USA
  • 1991 American History Reinvented, Perspectif Space, Rotterdam, The Netherlands
  • 1989 American History Reinvented, Aperture Foundation, New York City, New York, USA

Selected Group Exhibitions

  • 2011 Envisioning Buildings: reflecting architecture in contemporary art photography,
    MAK Center, curated by Simon Rees, Vienna, Austria
  • 2011 Uncommonplaces: Reinventing the Everyday curated by Pieter Vermeulen, Extra City, Antwerp, Belgium, ICI New York, USA
  • 2011 Studies for a Catalogue, John Latham Flat Line House, curated by Mathew
    Copeland, London, England
  • 2011 Neue Welt, view over Autocenter, SALT Foundation, Basel, Switzerland
  • 2011 Spring Exhibition, Kunsthall Charlottenberg, Copenhagen, Denmark
  • 2010 Bringing Up Knowledge, curated by Octavio Zaya, MUSAC, Leon, Spain
  • 2010 100 Exhibition, curated by Joep van Liefland and Maik Schierloh, Autocenter, Berlin, Germany
  • 2009 Scorpio’s Garden, Curated by Kirstin Roepstorff, Temporary Kunsthalle, Berlin, Germany
  • 2009 Office, Komplot, Brussels, Belgium, curated by Sonia Dermience.
  • 2009 Back to the Future, Curated by Carson Chan Coma Gallery, Berlin, Gemany
  • 2009 The Fax Show, Curated by: Jaoa Ribas, The Drawing Center, New York City, New York
  • 2008 Some Cursory Comments About My Wall Drawing, IASPIS, Stockholm Sweden
  • 2007 House Trip, curated by Ami Barak, Art Forum Berlin, Berlin, Germany
  • 2007 Multitasking, curated Barbara Lauterbach, NGBK, Berlin, Germany
  • 2007 Saloon, Special Projects Section, curated by Adina Popescu, Moscow Biennial, Moscow, Russia
  • 2006 The Expanded Eye, curated by Bice Kuriger, Kunsthaus, Zurich
  • 2006 Protections, curated by Adam Budak and Christine Peters, Kunsthaus Graz, Graz, Austria
  • 2006 Sweet Dreams: Contemporary Art and Complicity, curated by Johanna Drucker, Bayly Art Museum, Charlottesville, Virginia, USA
  • 2006 Masquerade, curated by Deborah Irmas, Los Angeles County Museum of Art, Los Angeles, California, USA
  • 2005 Go-Between, curated by Wolfgang Fetz and Peter Lewis, Magazin 4 and Bregenzer Kunstverein, Bregenz, Austria
  • 2005 Library, Librarie, curated by Idealondon, Institute of Contemporary Art, London, United Kingdom
  • 2005 New Economy, curated by Eric Angles, Columbia University Art Gallery, New York City, New York, USA
  • 2005 CAC/tv, curated by Raimundas Malasauskas, Contemporary Arts Center, Vilnius, Lithuania
  • 2004 Synaesthesia: A Neuro-aesthetic Exhibition, curated by Chloe Vaitsou, Institute of Contemporary Art, London, United Kingdom
  • 2004 Everything is Connected, He, He, He, curated by Gunnar Kvaran, Astrup Fearnley Museum of Modern Art, Oslo, Norway
  • 2004 Silent: A State of Being, curated by Jorge Diaz, Madrid Abierto Public Sculpture Competition, Madrid, Spain
  • 2003 Fröhliche Wissenschaft, curated by Wilfried Dickoff, Brandenburgischer Kunstverein, Potsdam, Germany
  • 2003 Harlem Postcards, curated by Christine Kim, Studio Museum of Harlem, New York City, New York, USA
  • 2001 Bitstreams, curated by Larry Rinder, Whitney Museum of American Art, New York City, New York, USA
  • 2001 Urban Pornography, curated by Laurie Firstenberg, Artists Space, New York City, New York, USA
  • 2001 Optical Verve, curated by Sylvie Fortin, Ottawa Art Gallery, Ottawa, Canada
  • 1997 Making It Real, curated by Vik Muniz, Aldrich Museum of Art, Ridgefield, Connecticut, continued to:
Reykjavik Municipal Art Museum, Reykjavik, Iceland
  • 1996 Ports of Entry: William Burroughs, curated by Robert Sobieszek, Los Angeles County Museum of Art, Los Angeles, USA 
continued to: Spencer Museum of Art, Kansas City, Missouri, USA
  • 1995 Mapping a Response to MOMA, curated by Peter Fend, American Fine Arts, New York City, New York, USA
  • 1995 Photography After Photography, curated by Hubertus von Amelunxen, Stefan Iglhaut and Florian Rotzer, Fotomuseum Winterthur, Winterthur, Switzerland; Institute of Contemporary Art, Philadelphia, Pennsylvania, USA
  • 1991 New York Stories, curated by Richard Wasko, P.S.1 Institute of Contemporary Art, Long Island City, New York, USA
  • 1991 Des Vessies et des Lanternes, curated by Allain D’hooge, Palais de Tokyo, Paris, France
  • 1989 Photography of Invention, curated by Joshua Smith, National Museum of American Art, Washington DC, USA,
 Continued to:
 The Museum of Contemporary Art, Chicago, Illinois;
 Walker Museum Of Art, Minneapolis, Minnesota, USA
  • 1988 Vom Landschaftsbild zur Spurensicherung, curated by Reinhold Misselbeck, Museum Ludwig, Koln, Germany
  • 1988 Television and Art, curated by Mark Miller, Queens Museum, Queens, New York, USA
  • 1988 The Nature of the Real, curated by Renee Ricardo and Paul Laster, White Columns, New York City, New York, USA

Projects and Screenings

  • 2011 Love Letter to a Surrogate, MuHKA, Antwerp, Belgium
  • 2010 Unknown Artist, Paris Bar, Berlin, Germany
  • 2010 In the Mind’s I, curated by Linus Elmes, UKS-Unge Kunstneres, Samfund/Young Artist Society, Oslo, Norway
  • 2010 Love Letter for a Surrogate, Torrance Art Museum, Torrance, CA.
  • 2010 Perform,Now!,In the Mind s I, curated by Laurie Firstenberg, Human Resources Gallery, Los Angeles, Ca., USA
  • 2009 In the Mind’s I, Maison Gregoire, curated by Emmanuel Lambion, Brussels, Belgium
  • 2009 „Some cursory comments concerning my wall drawing“,curated by Joao Ribas, The Drawing Center, New York City, New York

Books and Catalogues

  • 2010 Sabine Flach & Jan Soeffner (eds), Habitus in Habitat II, Other Sides of Cognition, No 4, Warren Neidich Excerpt Neuropower, p. 249 – 265.
  • 2010 Deborah Hauptmann, Warren Neidich, Cognitive Architecture: From Bio-politics to Noo-politics, 010 Publications, Rotterdam, 2010
  • 2009 Sven-Olov Wallenstein, Lia Gangitano, Freek Lomme, Lost Between the Extensivity/Intensivity Exchange, Onomatopee,25, Eindhoven, The Netherlands, 2009
  • 2007 Aaron Moulton, Multitasking Synchronitat als Kulturelle Praxis, NGBK publications,
  • 2006 Hans Ulrich Obrist and Barry Schwabsky, Earthling, Pointed Leaf Press, New York, 2006.
  • 2006 Mark Gisbourne, My Vision – Ideen fur die Welt von morgen, exhibition catalogue, 2006.
  • 2006 Bice Kuriger, Expanded Eye, exhibition catalogue, Kunsthaus Graz, 2006.
  • 2005 Johanna Drucker, Sweet Dreams: Contemporary Art and Complicity, University of Chicago Press, 2005, 186-197.
  • 2004 Anne Ellegood, “Silent Happenings”, Public Execution, exhibition catalogue, Exit Art, 2004.
  • 2004 Elena Bajo + Warren Neidich, “silent paseo castellana, museo de escultura al aire libre”, exhibition catalogue, Public Art Interventions, Madrid Abierto, Spain
  • 2003 Christiane Paul, Digital Art, Thames and Hudson, New York, 2003.
  • 2003 Warren Neidich, Norman Bryson, Blow-up: Photography, Cinema and the Brain, Collected essays of Warren Neidich,DAP, New York, 2003
  • 2002 Carlos Brillembourg, “Mirror, Mirror on the Wall,” Storefront for Art and Architecture,exhibition catalogue, September 14, 2002.
  • 2002 Sylvie Fortin, Optical Verve, exhibition catalogue, Ottawa Art Gallery, 2002.
  • 2001 Camp OJ, Photographs by Warren Neidich, Essays by David Hunt by Charles Steinbeck introduction by Stephen Margulies, Bayle Art Museum, 2001
  • 2001 Larry Rinder, “Art in the Digital Age”, BitStreams, exhibition catalogue, Whitney Museum of Art.
  • 1997 Graham Clark, Oxford History of Art: The Photograph, Oxford University Press, Oxford, England, 1997.
  • 1997 Vik Muniz and Luc Sante, Making It Real, exhibition catalogue, Independent Curators International, New York, 1997.
  • 1996 Robert Sobieszek, Ports of Entry: William S. Burroughs and the Arts, exhibition catalogue, Los Angeles Museum of Art, 1996.
  • 1996 Hubertus von Amelunxen, Photography after Photography: Memory and Representation in the Digital Age,
 Grand Barts, 1996.
  • 1994 Philip Pocock, Cultural Residue: Contamination-Decontamination, Galerie de l ‘Ecole, Villa Arson, 1994
  • 1993 Bojana Pejic, Unknown Artist, Edition Fricke and Schmid, Berlin.
  • 1991 David Joselit, Historic In(tervention), by, MIT Press, 1991.
  • 1989 Lynda Day, Rheihold Misselbeck,Christopher Phillips, John Welchman, American History Reinvented, Aperture Foundation, New York,1989
  • 1989 Joshua Smith, Photography of Invention, Smithsonian Museum Press, Washington DC, 1989.

Selected Bibliography

  • 2011 Photo Espana, Brigitte Ollier, La Lettre de la Photographie.com, 8/2/11
    http://lalettredelaphotographie.com/entries/photoespana-by-brigitte-ollier
  • 2011 Warren Neidich, reinventar la Historia, El Cultural, Supplement to El Mondo,
    Marianno Navarro, 8/7, 2011
  • 2011 Warren Neidich and Elena Bajo Turn Parking Spaces Into Performance Art,
    Sophie Dvernoy, LA Weekly Blog, Thursday, July 7, 2011
  • 2011 Neuropower, (A+A) Art and Architecture , June 2011, p. 124,125
  • 2010 Nicole Busing and Heiko Klaas, Warren Neidich, Dare Magazine, p. 70- 77, 2010
  • 2010 Bojana Pejic, Ein Portrat des Kunstlers Als Unbehannt, Kunstforum International,
    Bd. 204, Oktober-November, 2010
  • 2010 Kathy Kubicki, Reinventing History: Warren Neidich, Photography, re-enactment and Contemporary Event Culture, Visual Resources, Volume 26, Number 2, June 2010
  • 2010 Susanne Neubauer, On Visualized Vision in the Early Photographic Work of Warren Neidich, Theory, Culture and Society, Volume 27(7/8), page 306-323, the Annual Review
  • 2010 Bojana Pejic, Kunstforum International, Ein Portrait des Kunstlers Als Unbekannter, Bd. 204, Oktober – November, 2010.
  • 2010 T.J. Carlin, http://newyork.timeout.com, 9/10/2010
  • 2010 Nicole Buesing and Heiko Klass, Dare Magazin fur Kunst und Ueberdies, #5,2010, 70-78.
  • 2010 Ingvild Krogvig, Kognitivt Skyggeteater, Kunstkrittik 11/10,10. (http://www.kunstkritikk.no/kritikk/kognitivt-skyggeteater/)
  • 2009 Warren Neidich, Neuropower, Atlantica, #48-49,119-168
  • 2009 Daniel Miller, “The Power of Art“, Frieze Magazine, July 30, 2009.
  • 2009 Neidich, Schillinger, Nathalie Anglès, Eric Anglès, Bajo, “The Rules of Engagement“, Art Lies, Issue 62
  • 2009 T.J. Carlin, “The Best New Art”, Time Out New York, Issue 713 : May 28–Jun 3, 2009
  • 2009 T.J. Carlin, “Do It Yourself”, Art in America Online, 06/18/09
  • 2008 Adina Popescu, “Warren Neidich”, Artforum, Summer 2008.
  • 2008 Thea Harold, “In der Werkstatt”, Tagesspiegel, Berlin, May 10, 2008.
  • 2008 Christiane Meixner, “Zeigen, was man hat”, Tagesspiegel, Berlin, May 3, 2008.
  • 2008 Alix Rule, “Round-Up: Best Shows in Berlin this Month“, Saatchi Online, April 5, 2008.
  • 2006 Mark Gisbourne, My Vision – Ideen fur die Welt von morgen, exhibition catalogue, 2006.
  • 2006 Maurizio Bortolotti, “Art and Resistance”, Domus, December 2006.
  • 2006 “Young Collector Stefan Levine: Gas Man”, Art/Basel/Miami Beach Magazine, December 2006, 72.
  • 2006 Bice Kuriger, Expanded Eye, exhibition catalogue, Kunsthaus Graz, 2006.
  • 2005 “Around the Town”, The New Yorker, September 19, 2005.
  • 2005 Johanna Drucker, Sweet Dreams: Contemporary Art and Complicity, University of Chicago Press, 2005, 186-197.
  • 2005 Hans Ulrich Obrist, “Warren Neidich”, Spot Magazine of the Houston Center of Photography, Spring 2005.
  • 2005 Val Williams, “Photos, Histories, Absurdities,” Photoworks, Spring/Summer 2005, 42-47.
  • 2004 Anne Ellegood, “Silent Happenings”, Public Execution, exhibition catalogue, Exit Art, 2004.
  • 2003 Christiane Paul, Digital Art, Thames and Hudson, New York, 2003.
  • 2002 Sarah Valdez, “Warren Neidich at the Laguna Art Museum,” Art in America, February 2002.
  • 2002 Adrian Dannatt, “Brainy,” The Art Newspaper, No.128. September 2002, 26-27.
  • 2002 Carlos Brillembourg, “Mirror, Mirror on the Wall,” Storefront for Art and Architecture, September 14, 2002.
  • 2002 Sylvie Fortin, Optical Verve, exhibition catalogue, Ottawa Art Gallery, 2002.
  • 2002 Lisa Boone, “Photographs and Distortion,” Los Angeles Times, November 7, 2002, weekend section.
  • 2002 Ingebourg Ruthe, “Poelzig und die Kunstvitrine,” Berliner Zeitung, February 2002.
  • 2002 Petra Welzel, “Augen auf und durch,” die tageszeitung, February 26, 2002
  • 2001 Larry Rinder, “Art in the Digital Age”, BitStreams, exhibition catalogue, Whitney Museum of Art.
  • 2001 Vivian Letran, “The Natural and the Unnatural,” Los Angeles Times, July 27, 2001.
  • 2001 Denise Carvalo, “Bitstreams,” Flash Art, May-June
  • 2001 Christiane Paul, “Hotlist, Artbrain, www.artbrain.org,” Artforum, October 2001.
  • 1999 Robert Mahoney, “Millennium at Tate,” Time Out, No. 201, July 11–July 17, 2001, 52.
  • 1999 Norman Bryson, “Summer 1999 at Tate”, essay for exhibition at Tate Gallery, New York City, July 1999, 4-5.
  • 1999 Regine Basha, “Performing Observations; Recent Work by Warren Neidich,” Performance Arts Journal, Spring 1999.
  • 1999 Sue Spaid, “Seeing Eye, Conceptual Art as a Neurobiological Praxis,” Village Voice, April 27, 1999.
  • 1999 Roberta Smith, “Conceptual Art: Over and Yet Everywhere,” The New York Times: Arts and Leisure, 25.04.1999, 1.
  • 1999 “Critics Pick; Alternative, Alternative,” Time Out, April 2-9, 1999.
  • 1999 “Critics Pick; Conceptual Art as a Neurobiological Praxis,” Time Out, March 25-April 1, 1999.
  • 1998 Cathy Lebowitz, “Warren Neidich at Steffany Martz,” Art in America, April 1998.
  • 1997 Nancy Princethal, “In the Flow at Franklin Furnace,” Art in America, No. 10, October 1997.
  • 1997 Graham Clark, Oxford History of Art: The Photograph, Oxford University Press, Oxford, England, 1997.
  • 1997 Vik Muniz and Luc Sante, Making It Real, exhibition catalogue, Independent Curators International, New York, 1997.
  • 1996 Robert Sobieszek, Ports of Entry: William S. Burroughs and the Arts, exhibition catalogue, 
Los Angeles Museum of Art, 1996.
  • 1996 Hubertus von Amelunxen, Photography after Photography: Memory and Representation in the Digital Age,
 Grand Barts, 1996.
  • 1996 “Photography after Photography,” Frieze, May 1996, 69.
  • 1996 Robert Mahoney, “Warren Neidich, Pollock Holding a Crow with Alchemy,” Time Out, Issue 44, 1996.
  • 1996 Kim Levin, “Art Choices”, Village Voice, July 9-16, 1996.
  • 1996 Kim Levin, “Art Short List; Sweat”, Village Voice, July 16, 1996, 9.
  • 1994 Susan Kandel, “Slight of Hand,” Los Angeles Times, June 9, 1994.
  • 1993 Ulrich Clewing, “Wink mit dem Zaunpfahl,” Zitty, October 1993.
  • 1993 Harald Fricke, “Wieder aus der Natur Schoepfen”, Die Tageszeitung, June 1993.
  • 1993 Harald Fricke, “Richtige Form, Richtige Farbe, im Richtigen Movement,” Die Tageszeitung, June 1993.
  • 1993 Gisela Sonnenburg, “Schmauch…Schrie…das Protokoll,” Naives Deutschland, June 1993.
  • 1993 Kim Levin, “Best Bets Art,” The Village Voice, February 1993.
  • 1992 Kim Levin, “Bets Art,” The Village Voice, April 1992.
  • 1990 Peter Kloehn, “A-historical Williamsburg,” Artscribe, No. 80, March/April 1990.
  • 1989 Photography of Invention Joshua Smith, Smithsonian Museum Press, Washington DC, 1989.
  • 1989 Vicki Goldberg, “The Real America,” American Photographer, December 1989.
  • 1989 Carrington Calas, “Of Baudrillard, Lies and Women,” Art Review, May/June 1989.
  • 1989 John Welchman, “Turning Japanese (In),” Artforum, No. 27, April 1989.

Professional Experience

Current Visiting scholar, TU Delft School of Architecture, Delft, Holland.

Instructor, Southern California Institute of Architecture, Los Angeles, CA.

  • 2011 Guest instructor, Indeseem, Delft School of Design, TU Delft School of Architecture, Delft, The Netherlands
  • 2010 Guest Speaker, The Harvard Group for the Philosophy of Architecture, Harvard Graduate School of Design
  • 2010 Guest Speaker, Harvard Graduate School of Design, Cambridge, Mass.
  • 2010 Guest Speaker, Habitus in Habitat II – Other Sides of Cognition, Zentrum für Literatur und Kulturforschung, Berlin
  • 2009 Guest Speaker, The Politics of Life: Michel Foucault and the Biopolitics of Modernity, Department of Cinema Studies, 
Stockholm University, Sweden
  • 2009 Conference Organizer, The Power of Art, The Drawing Center, New York.
  • 2008 Conference Organizer, Architecture & the Mind, from Bio-Politics to Noo-Politics, Delft School of Design: TU Delft.
  • 2006-08 Visiting Artist, Center for Cognition, Computation and Culture
  • 2007 Guest Speaker, Transmediale, Berlin
  • 2004-06 Visiting Artist, Dept. of Fine Arts, Goldsmiths College, London, England
  • 2005 Conference Organizer, “Neuro-aesthetics”, Goldsmiths College
  • 2004 Guest Speaker, Mapping Intensities, Goldsmiths College
  • 2003 Visiting Artist, The Cooper Union for Arts and Science, New York, New York
  • 2003 Chairman, Movies, Buildings and Brains UCLA Department of Art, Los Angeles, California
  • 2003 Chairman, College Art Association, “Some Stories Concerning the Mutated Observer”, New York City
  • 2003 Guest Lecturer, Rijksakademie, Amsterdam
  • 2003 Guest Lecturer, Goldsmiths College, London, England
  • 2000 Guest Lecturer, Vision and the Visionary: Art and Perception in the work of Warren Neidich, panel discussion 
moderated by Stephen Marguiles with Johanna R. Drucker and Michael Kubovy, Bayle Art Museum of Art – 
Charlottesville,Virginia

Books and Catalogues

  • 2010 The Sarah Palin Memorial Library, Glenn Horowitz Books, 2010
  • 2010 Cognitive Architecture: From Biopolitics to Noo-Power, Warren Neidich and Deborah Hauptmann, editors, 010 Press, Rotterdam, 2010
  • 2010 Me, Myself and I: Conversation with Oneself, Warren Neidich and Elena Bajo, editors, Input #2, New York City, NY, 2010
  • 2010 Pluri-potentiality, Shifter Magazine, Warren Neidich, Guest Editor
  • 2009 Lost between the Extensivity / Intensivity Exchange. Essays by Lia Gangitano, Sven-Olaf Wallenstein, forward by Freek Lomme. Onomatopee, Eindhoven: 2009.
  • 2005 Earthling. Essays by Barry Schwabsky and Interview by Hans Ulrich Obrist. Pointed Leaf Press, New York, NY, 2005.
  • 2003 Blow-up: Photography, Cinema and the Brain. Essays by Warren Neidich, with an introduction by Norman Bryson. D.A.P. and the University of California, Riverside, 2003.
  • 2000 Camp O.J. Photographs of Warren Neidich, texts by Charles Steinback and David Hunt. Bayle Art Museum, 2000.
  • 1994 Cultural Residue: Contamination and Decontamination. By: Philip Pocock. Villa Arson catalogue, Nice, France, 1994.
  • 1993 Unknown Artist. Essay by Bodjana Pedjick. Fricke & Schmid, New York: 1993.
  • 1991 Warren Neidich: Historical In(ter)vention. David Joselit, Introduction by Ron Platt and Anita Doutha. M.I.T. List Center (catalogue), Cambridge, Massachusetts, 1991.
  • 1989 American History Reinvented. Editor: Steve Dietz, photographs by Warren Neidich, essays by Linda Day, Reinhold Misselbeck, Christopher Philips, Lew Thomas and John Welchman. Aperture, New York: 1989.

Projects and Screenings:

  • 2011 The Noologists Handbook, Emily Harvey Foundation, New York City, New York, USA
  • 2011 Love Letter to a Surrogate, MUKHA, Antwerp, Belgium
  • 2010 Re-enacting Unknown Artist at the Paris Bar, Berlin, Germany (originally installed with Martin Kippenberger at the Paris Bar, 1994.
  • 2010 In the Mind’s I, curated by Linus Elmes, UKS-Unge Kunstneres, Samfund/Young Artist Society, Oslo, Norway
  • 2010 Love Letter for a Surrogate, Torrence Art Museum Torrence, CA.
  • 2010 Perform,Now!,In the Mind s I, curated by Laurie Firstenberg, Human Resources Gallery, Los Angeles, Ca., USA
  • 2009 In the Mind’s I, Maison Gregoire, curated by Emmanuel Lambion, Brussels, Belgium
  • 2009 “Some cursory comments concerning my wall drawing”, curated by Joao Ribas, The Drawing Center, New York City, New York

Curatorial Projects (creating community and producing social sculptures.)

  • 2011 Fulbright Scholar Program
  • 2011 First Award for Interdisciplinarity, AKTO Festival for Contemporary Art, Bitola,
    Macedonia
  • 2011 Art in the Parking Space, LAXART, Los Angeles, CA
  • 2010 Love Letters From a Surrogate, Torrence Art Museum, Torrence, CA
  • 2009 Exhibition, In Collaboration with Eric Angles, Nathalie Angles, Elena Bajo, Warren Neidich and Jakob Schillinger, New Your City, NY
  • 2007 The Re-distribution of the Sensible, Magnus Müller Gallery, Berlin.
  • 2005 Neuroaesthetics Conference, Goldsmiths College, London.
  • 2004 Neuroaesthetic Reading Room, in collaboration with Johan van Lierop, Goldsmiths College, London.
  • 1999 Conceptual Art as Neurobiological Praxis, Thread Waxing Space, New York City, NY
  • 1997 Artbrain.org and the The Journal of Neuroaesthetics, founding editor, New York City, NY
  • 1996 Spot Art Foundation, Founder, New York City, NY

Awards, Fellowships and Honors and Residencies

  • 2011 Fulbright Scholar Program
  • 2011 First Award for Interdisciplinarity, AKTO Festival for Contemporary Art, Bitola,
    Macedonia
  • 2010 Vilem Flusser Award, Transmediale, Berlin
  • 2008 International Artists Studio Program in Sweden (IASPIS), Stockholm, Sweden
  • 2005 Finalist Creative Capital Grant
  • 2005 British Academy Award (with Jules Davidoff)
  • 2004-05 Arts Council of England Research Fellowship (with Scott Lash)
  • 2004 ACE-AHRB Arts and Science Research Fellowships
  • 2004 Madrid Abierto Public Sculpture Competition, Madrid (with Elena Bajo)
  • 1998 MacDowell Foundation, Petersborough, New Hampshire
  • 1994-95 Villa Arson, Nice, France
  • 1993-94 Kunstlerhaus Bethanien, Berlin