Verein zur Förderung von Kunst und Kultur am Rosa-Luxemburg-Platz e.V., back gallery
Verein zur Förderung von Kunst und Kultur am Rosa-Luxemburg-Platz e.V., Wallwork
News
Venice Biennial, Rumor to Delusion
Zuecca Project Space, Venice, Italy
Warren Neidich will present his solo exhibition “Rumor to Delusion” at the Zuecca Project Space, to coincide with the opening of the 58th International Art Exhibition – La Biennale di Venezia, in Venice, Italy.
Interview Artpulse magazine
Paul Laster
An American post-conceptual artist, writer and theorist, who splits his time between Los Angeles and Berlin, Warren Neidich has been exploring scientific and philosophical ideas in his art for the past 30 years.
Show Me Your Selfie
Aram Art Gallery, Seoul, Korea
Exhibition 7/17-10/6
Recent Works
Scoring the Tweets, 2018
PRISKA PASQUER
Cologne, Germany
www.priskapasquer.art
NEUROMACHT – Noise and the Possibility of a Future, 2018
Apr 14 – Sep 1, 2018
PRISKA PASQUER
Cologne, Germany
www.priskapasquer.art
Color of Politics, 2017
28.4.–19.8.17
Verein zur Förderung von Kunst und Kultur
am Rosa-Luxemburg-Platz e.V.
Linienstraße 40, Berlin
www.rosa-luxemburg-platz.net
Conversation with NOise Part 2, 2018
PRISKA PASQUER
Cologne, Germany
www.priskapasquer.art
Infinite Spectres and the Anarchy of Time Plus 1, 2016
Barbara Seiler
Zurich, 2016
The Palinopsic Field, 2016
LACE (Los Angeles Contemporary Exhibitions)
www.welcometolace.org
Conversation with Noise, Part 1, 2018
PRISKA PASQUER
Cologne, Germany
www.priskapasquer.art
The Statisticon Neon, 2017
28.4.—19.8.17
Verein zur Förderung von Kunst und Kultur
am Rosa-Luxemburg-Platz e.V. Linienstraße 40, Berlin
www.rosa-luxemburg-platz.net
Equal Not Equal at LAXART (2015)
Selected Bibliography
‘This Is Not a Selfie’ tackles the interesting history of self-portraits
‘This Is Not a Selfie’ tackles the interesting history of self-portraits By Joanne Milani, Times Correspondent Tampa Bay Times, September 11, 2018
How noise and neons give birth to new worldviews
Warren Neidich’s introduction into ‘Neuro-Aesthetics’ at Priska Pasquer, Text by Nelly Gawellek
Ausbuchstabiert
Jörg Häntzschel, Süddeutsche Zeitung Nr. 214
16./17. September 2017
Die Farben der Wahrheit
„Pizzagate“ und kognitiver Kapitalismus: Der Konzeptkünstler Warren Neidich reagiert in Zeiten von Fake News aufklärerisch.
Claudia Wahjudi, Tagesspiegel, 18.07.2017
The colours of Truth
“Pizzagate” and cognitive capitalism: In times of fake news conceptual artist Warren Neidich strives to clear things up. Claudia Wahjudi, Tagesspiegel, 18.07.2017
Böser Blick in unser Hirn
Hintersinnige Kunst von Warren Neidich bei Priska Pasquer
Kölner Kultur, Donnerstag, 16. August 2018, Thomas Linden
A dirty look into our brains
Profound art by Warren Neidich at Prisky Pasquer gallery by Thomas Linden
Kölner Kultur, August 16, 2018
Activism // ‘The Politics of Color’: Warren Neidich at Kunstverein am Rosa-Luxemburg-Platz
Article by Claudia Grigg Edo in Berlin // Tuesday, Jun. 19, 2017
BERLINARTLINK
Ende des Experiments
Berliner Morgenpost, Art Berlin, 16. September 2017 von Gabriela Walde
Artforum, October, 2016 Andy Campbell
Review in Purple Art about “The Palinopsic Field” exhibition at Lace, Los Angeles
July 5, 2016 / www.purple.fr
The Statisticon / MIAMI Practicas Contemporaneas, Bogotá
November 20, 2016 / MIAMI Practicas Contemporaneas / www.terremoto.mx
Review: Infinite Spectres and the Anarchy of Time plus 1
Kunstbulletin 10/2016 von Philipp Spillmann,www.artlog.net
An interview with Warren Neidich
Fuxus, 28 June 2016 www.aqnb.com
Artist Warren Neidich Talks New Exhibition, Cycles of Fear and Discrimination
August 08, 2016 by Ben Adams / www.merryjane.com
Interview on Yale University Radio
Warren Neidich interviewed on The Art World Demystified, Yale University Radio.
Breaking the Noise Barrier
by: Esther Brandl
Published in: “Warren Neidich: Breaking the Noise Barrier,” MQ Blog, May 26, 2014.
Duende und das neurobiologische Erhabene
Springerin Magazine Fall 2014
Earthling – The Art Book Review
Reviewed by Sarah Bay Williams
December 18, 2013
Baldwin Hills
by: Meg Linton, Published in: Warren Neidich – Baldwin Hills – 01/31/2013, Otis College of Art and Design Blog , June 13, 2013.
The “Book Exchange” at Glenn Horowitz Bookseller
Published on Time Out New York
09/10/2010
Reinventing History: Warren Neidich, Photography, Re-enactment, and Contemporary Event Culture
Kathy Kubicki, Visual Resources, Volume 26, Number 2, June 2010
DARE | Warren Neidich (English)
DARE | Warren Neidich (Deutsch)
Dare | Magazin für Kunst und Überdies
Nicole Büsing & Heiko Klaas
Each Rainbow Must Retain the Chromatic Signature, it…
Artforum, Summer 2008
Adina Popescu
Hans Ulrich Obrist in Conversation with Warren Neidich
Spot, Housten Center for Photography, Spring 2005
pdf: Hans Ulrich Obrist in Conversation with Warren Neidich
Fields Of Consciousness: The Ghost In The Machine
Mark Gisbourne, Fields of Consciousness: The Ghost in the Machine in Photography and Culture, Vol 5, Issue 1, March 2012, 53-76.
Warren Neidich at Steffany Martz
by: Cathy Lebowitz
Published in: Art in America, April 1998.
On Visualized Vision In The Early Photographic Work Of Warren Neidich
Susanne Neubauer, Theory, Culture & Society (London)
Framing History: Some Recent Work by Warren Neidich (MIT List Center)
by: David Joselit, published in: Historical Intervention, M.I.T. List Center (catalogue), Cambridge, Massachusetts, 1991.
Turning Japanese
Artforum, April 1989 by John Welchman
Contact
Barbara Seiler GalerieZuerich, Switzerland
T: +41 43 317 1042
info@barbaraseiler.ch
www.barbaraseiler.ch PRISKA PASQUER
Cologne, Germany
+49 221 9526313
info@priskapasquer.de
www.priskapasquer.art Warren Neidich is a post-conceptual artist, writer and theorist. He is currently Professor of Art at the Weißensee Kunsthochschule Berlin and founding director of the Saas Fee Summer Institute of Art. Conceptual Art today is not about immaterial objects but immaterial labor operating in the knowledge economy but also engaging the process of the brain. His work combines photography, video, painting, Internet downloads, and scotch tape and noise installations operating in social spaces and preempting future realities.